![]() ![]() You may want to make photographs of people going about their business-vendors in a market, a crowd at a sports event, the line at a theater. Include enough of the setting to aid your image, but not so much that the subject is lost in it. Seek balance between subject and environment. The room in which a person lives or works, their house, the city street they walk, the place in which they seek relaxation-whatever it is, the setting provides information about people and tells us something about their lives. The settings in which you make pictures of people are important because they add to the viewer's understanding of your subject. Practice with people you know so that you are comfortable people can sense when you aren't. Tell them why you want to make the picture. It's up to you to break the ice and get them to cooperate. If you approach people in the right way, they'll usually be happy to have their picture made. Viewers can sense when a subject is small because it was supposed to be and when it's small because the photographer was too shy to get close.ĭon't be shy. Even when it is big enough to be decipherable, it usually carries little meaning. In some cases this means that the center of interest-the subject-is just a speck, too small to have any impact. The most common mistake made by photographers is that they are not physically close enough to their subjects. However near or far your subject, however intimate or distant the gaze your camera casts, you always need to keep in mind the elements of composition and the technique that will best help you communicate what you are trying to say. Either can be made with or without your subject's awareness and cooperation. People pictures fall into two categories: portraits and candid.
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